After Bond helps Russian officer Georgi Koskov make a daring defection to the West, the intelligence community is shocked when Koskov is abducted from his remote hiding place. Bond leaps into action, following a trail that leads to the gorgeous Kara, who plays Bond as easily as she plays her Stradivari cello. As they unravel a complex weapons scheme with global implications, they are forced into hair-raising chases, a riveting jailbreak and an epic battle in the Afghanistan desert with tanks, airplanes and a legion of freedom fighters on horseback.
AMAZON.COM REVIEWS FOR THE LIVING DAYLIGHTS (1987): Sean Connery casts a long shadow over the James Bond legacy. He created the movie persona and starred in six of the first seven features, all but establishing the cool cold warrior as the world's most suave secret agent. The six titles in MGM's third collection celebrate the Connery Bond with three of his classics, including From Russia with Love, 007's second and perhaps finest outing. A blond, buff Robert Shaw plays Bond's most ruthless nemesis, and Lotte Lenya and the great Pedro Armindáriz costar in this sleek, high-energy trip through the Iron Curtain. Connery travels to the Far East in You Only Live Twice, which introduces the international criminal conspiracy SPECTRE and its cat-loving mastermind, Blofeld (Donald Pleasence). After a brief retirement, Connery returned for Diamonds Are Forever, his final "official" appearance in the Bond series (15 years later he played Bond for a rival studio's Never Say Never Again). This more tongue-in-cheek adventure takes 007 to Las Vegas, where he battles Blofeld (this time played by Charles Gray) and his minions--namely, a pair of fey, sardonic henchmen and a team of bikini-clad karate killers.
Octopussy, a colorful cold war thriller and one of Roger Moore's better Bond outings, stars Louis Jourdan as a corrupt Afghan prince and Maud Adams (making her second Bond appearance) as the ringmaster of an all-babe traveling circus team that unknowingly carries a nuclear bomb. Christopher Walken hams it up under a platinum-blond hairdo while his Amazon bodyguard, Grace Jones, growls through A View to a Kill, a silly but often visually impressive adventure that made it obvious Moore was too old and stiff to carry on the Bond legacy. The torch was passed to Timothy Dalton in The Living Daylights, an attempt to clear away the camp elements of Moore's portrayal and return to a lean, hard-edged spy thriller for the post-cold war era. It lacks the larger-than-life characters and spectacle of previous Bond pictures, but Dalton was a tough, ruthless 007 and a worthy inheritor of the legacy, which was then passed on to Pierce Brosnan.
The DVD editions of the films each feature audio commentary by the director and key members of the crew, "making of" documentaries, and a host of stills, TV spots, trailers, and other supplements. --Sean AxmakerThe Living Daylights (dvd):
Amazon.com video review:Timothy Dalton made his 007 debut in the lean, mean mode of Sean Connery, doing away with the pun-filled camp of Roger Moore's final outings. He establishes his persona right from the gritty pre-credits sequence, in which he hangs from a speeding truck as it barrels down narrow cobblestone streets, battles an assassin mano a mano, and lands in the arms of a bikinied babe. This James Bond is ruthless, tough, and romantic. The Living Daylights, set during the thaw of the cold war, begins with the defection of Russian KGB General Koskov (Jeroen Krabbé) and his revelation of a Soviet plot to eliminate Britain's secret agent force. Assigned to eliminate Koskov's Soviet boss (John Rhys-Davies, cutting a memorable figure in his brief appearance), Bond uncovers a conspiracy involving Koskov and an American arms dealer (Joe Don Baker). Maryam d'Abo makes a fine Bond girl as Koskov's beautiful cellist girlfriend, a classy innocent who soon loses her naive blush and shows her pluck. The villains are lackluster--Krabbé is a clown and Baker a blowhard--and Dalton hadn't yet mastered the delivery of the trademark quips, but it's a sleek script with a no-nonsense attitude. Veteran series director John Glen's action scenes have never been better--especially the show-stopping mid-air battle on the net of a speeding cargo plane--and he returns the series to the smart, rough, high-energy adventures that made the Bond reputation. --Sean Axmaker
:
- Academy of Science Fiction, Fantasy & Horror Films, USA
1988
Nominated
Saturn Award
Best Fantasy Film
- BMI Film & TV Awards
1988
Won
BMI Film Music Award
John Barry
- DVD Exclusive Awards
2001
Nominated
Video Premiere Award
Best DVD Original Retrospective Documentary/Featurette
John Cork
For "Ian Fleming: 007's Creator".For Special Edition.
- Golden Screen, Germany
1988
Won
Golden Screen
- Motion Picture Sound Editors, USA
1988
Won
Golden Reel Award
Best Sound Editing - Foreign Feature
unknown
- Satellite Awards
2004
Nominated
Golden Satellite Award
Best Classic DVD Release
Also for From Russia with Love (1963), You Only Live Twice (1967), Diamonds Are Forever (1971), Moonraker (1979), For Your Eyes Only (1981) and The World Is Not Enough (1999) [Vol. 2].Also for Thunderball (1965), On Her Majesty's Secret Service (1969), Live and Let Die (1973), Octopussy (1983), A View to a Kill (1985) and Die Another Day (2002). [Vol. 3]For "The James Bond DVD Collection", volumes 2 & 3.
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